The Wind from the East: French Intellectuals, the Cultural by Richard Wolin

By Richard Wolin

Michel Foucault, Jean-Paul Sartre, Julia Kristeva, Phillipe Sollers, and Jean-Luc Godard. in the course of the Sixties, a who is who of French thinkers, writers, and artists, spurred through China's Cultural Revolution, have been seized with a fascination for Maoism. Combining a cruel exposé of left-wing political folly and cross-cultural false impression with a lively protection of the Nineteen Sixties, The Wind from the East tells the colourful tale of this mythical interval in France. Richard Wolin exhibits how French scholars and intellectuals, encouraged via their perceptions of the Cultural Revolution, and stimulated by way of utopian hopes, incited grassroots social pursuits and reinvigorated French civic and cultural life.

Wolin's riveting narrative finds that Maoism's attract between France's top and brightest really had little to do with a true knowing of chinese language politics. as an alternative, it sarcastically served as a automobile for an emancipatory transformation of French society. French pupil leftists took up the trope of "cultural revolution," utilizing it to their criticisms of daily life. Wolin examines how Maoism captured the imaginations of France's top cultural figures, influencing Sartre's "perfect Maoist moment"; Foucault's perception of strength; Sollers's stylish, leftist highbrow magazine Tel Quel; in addition to Kristeva's e-book on chinese language women--which incorporated a full of life protection of foot-binding.

Recounting the cultural and political odyssey of French scholars and intellectuals within the Nineteen Sixties, The Wind from the East illustrates how the Maoist phenomenon all of sudden sparked a democratic political sea swap in France.

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